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The Creator’s Choice
Hadid’s architectural language has been described as “famously extravagant” with many of her projects sponsored by “dictator states”. Rowan Moore described Hadid’s Heydar Aliyev Center as “not so different from the colossal cultural palaces long beloved of Soviet and similar regimes”. Architect Sean Griffiths characterised Hadid’s work as “an empty vessel that sucks in whatever ideology might be in proximity to it”. Art historian Maike Aden criticises in particular the foreclosure of Zaha Hadid’s architecture of the MAXXI in Rome towards the public and the urban life that undermines even the most impressive program to open the museum.
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